Mina Behnam
Abstract
The category of adaptation as one of the branches of comparative literature is an attempt to create new texts based on the construction and content of previous texts.. Regardless of comparative literature, this topic communicates between literature as speech and writing and cinema, theater and painting ...
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The category of adaptation as one of the branches of comparative literature is an attempt to create new texts based on the construction and content of previous texts.. Regardless of comparative literature, this topic communicates between literature as speech and writing and cinema, theater and painting as image with an intertextual view and attempts to discover the relationship in these areas. The sampling is based on the stories of Sheikh San'an, Bersiesa, Jorayge, Faust, Antoine Saint and Ta'iees.Primarily, the problem of this research is the study of the structure of stories and the discovery of similarity and difference of them; then, the processing of such stories is done based on Joly Sanders's theory of adaptation. The discovery of the transformation of characters and the different destiny of the hero is the result of the first problem and the discovery of the influence of ideology on the process of adaptation of the director, the painter and screenwriter, as well as the use of the elements of these stories on the basis of time and audience needs, is the result of the main problem of this research
Mina Behnam
Abstract
In this paper are examined the structures of the Rumi's mind in Image processing in Qazaliyat-e- Shams. Fundamental theoretical of research is one of the categories of cognitive linguistics, entitled The Approach of Mental Spaces and the Perceptual Integration. It shows how Rumi uses the information ...
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In this paper are examined the structures of the Rumi's mind in Image processing in Qazaliyat-e- Shams. Fundamental theoretical of research is one of the categories of cognitive linguistics, entitled The Approach of Mental Spaces and the Perceptual Integration. It shows how Rumi uses the information that enters his mind and expresses it in his style. The result is that the two main associative factors that are influential in the visual structure of Qazaliyat-e- Shams are the similarity of origin and the contradiction of the two mental domains. The constant repetition of incongruous and ambiguous symbols throughout Qazaliyat-e- Shams is as meaningful as day, night, light, and darkness, and helps the audience understand the meaning of the Narrator. Part of Rumi's imagery is a combination of abstract -sensory domain. Visualizing abstract concepts and bringing them into the text world is one of the functions of the metaphor in Rumi's opinion.
